在日常生活或是工作學習中，大家總免不了要接觸或使用作文吧，作文可分爲國小作文、中學作文、大學作文（論文）。你知道作文怎樣寫才規範嗎？以下是小編整理的獨一無二英語作文，僅供參考，歡迎大家閱讀。
人常說隸書給人的感覺太張揚，而楷書給人的感覺太拘泥。而聰明的鄭板橋將隸書與行楷相結合，形成獨一無二的“板橋體”。歪歪斜斜而又錯落有致，實屬妙哉！有人說，這種作品“不可無一，不可有二”，實爲有理，我頗有同感。不僅是書法界還是我們的社會，不是缺乏“鄭板橋”，就是“鄭板橋”仿品太多！我們需要的是真正的“板橋體”，需要創新，而不是氾濫的空殼。
People often say that official script makes people feel too public, while regular script makes people feel too rigid. The clever Zheng Banqiao combines official script with Xingkai to form a unique "Banqiao style". It's wonderful that it's askew, askew and random! Some people say that this kind of work "can not be one, can not have two", it is reasonable, I quite feel the same. It's not only the calligraphy circle but also our society. It's either lack of "zhengbanqiao" or too many imitations of "zhengbanqiao"! What we need is a real "slab bridge body", which needs innovation, not a flooded empty shell.
幼時學習書法，前期都是以臨摹爲主，剛開始練得很辛苦；直到後來，我才深究其意。原來，學習別人的字體與風格是難，特別是要將那種字體與自己思想情感甚至你的筆法融於一體，然而，真正的境界在於練就你自己的風格，這就是難上加難。學習多年，我仍還未成氣候。因此甚是佩服鄭板橋這類的先驅。然而，現在書法界中許多自稱“書法家”的人，其實也與我的處境一樣尷尬，只不過他們的“火候”比我更深罷了。其實也缺少了他們的“個性”。他們的“描摹”雖能形似，卻不神似，也驗證了“不可無一，不可有二”的道理。又豈止書法需要“板橋體”，我們的社會也需要其注入。
When I was a child, I studied calligraphy mainly by copying at the early stage, and I had to work hard at the beginning; I didn't study its meaning until later. It turns out that it's difficult to learn other people's fonts and styles, especially to integrate those fonts with your own thoughts and feelings and even your writing skills. However, the real realm is to practice your own style, which is even more difficult. After years of study, I still haven't made it. So I admire such pioneers as Zheng Banqiao. However, many calligraphers who call themselves "calligraphers" are in the same awkward situation as me, except that their "fire" is deeper than me. In fact, they lack of "personality". Their "description" can be similar in shape but not in spirit, which also proves the truth that "there can be no one and no two". Not only does calligraphy need "Banqiao style", but also our society needs its injection.
在我們的作文界時常會鬧出兩個字“抄襲”。如今書籍氾濫，人人都是“作家”，人人都可有一兩本“着作”。然而，卻有大部分金玉其外，敗絮其中，實爲狼狽。他們把名家的珍品抄襲一番，匯就一本書，卻弄得個四不像。所以說，真正有價值的、意境高的你也抄不像，不如開創自己的品牌，自力更生唄！
There are often two words "plagiarism" in our composition circle. Nowadays, books are rampant, everyone is a "writer", and everyone can have one or two "works". However, there are most of the gold and jade, which is really a mess. They plagiarized the treasures of famous scholars and collected them into a book, but they were not like each other. So you can't copy the real valuable and high artistic conception. It's better to create your own brand and self-reliance!
且說最近紅爆一時的小瀋陽，大家都被他的搞笑天賦所吸引。小瀋陽卻實在是別出心裁，獨樹新枝，但是小瀋陽可有一，卻不可有二。有一，可謂之新潮，有二，有三則不然，不僅大大削減了其新意，還大大降低了整個社會的審美情趣，這可就不討好了。因此，無論怎樣，我們的社會都需要“板橋體”，需要注入新的活力，更豐富的元素，就像字體一樣。
And recently, Little Shenyang, who has been popular for a while, is attracted by his funny talent. Little Shenyang is really out of his own mind, but little Shenyang can have one, but not two. First, it can be called a new trend. Second, it can be called a new trend. Second, it can be called a new trend. Third, it can not be called a new trend. Therefore, no matter what, our society needs "slab bridge", which needs to inject new vitality and richer elements, just like the font.
“板橋體”不僅有助於社會的發展，也告訴我們做人的道理。既不可太張揚，也不可太拘泥，要將隸書與行楷相結合，才適度、中和。要根據自身條件，打出自我的天地，勇於創新，塑造獨一無二的個性。
"Banqiao style" not only helps the development of society, but also tells us the truth of being human. It should not be too publicized or too rigid. Only by combining official script with Xingkai can it be moderate and moderate. According to their own conditions, we should play our own world, be brave in innovation and create a unique personality.
放眼未來，希望我們的社會將會有更多不同的“板橋體”，我們都是獨一無二的`，不可複製的。輕鬆舞出自己的舞臺！
Looking forward to the future, I hope our society will have more different "slab bridge", we are unique and can not be copied. Dance your own stage easily!
[點評]考生對材料的理解緊扣提倡創新、發展個性這一主題，足見其有閱讀提煉能力。開篇對楷書和隸書特點的評價，自然引出作文材料，足見其對材料的處理能力。正文由“板橋體”的“不可無一，不可有二”說開去，寫到了幼時學習書法“描摹”的感受、寫作界的“抄襲”、小瀋陽的搞笑新潮，這一由此及彼、由淺入深的議論，足見其有認識事理的思想素質。
[comments] candidates' understanding of materials is closely related to the theme of advocating innovation and developing personality, which shows that they have the ability of reading and refining. At the beginning of the article, the evaluation of the characteristics of regular script and official script naturally leads to the composition materials, which shows its ability to deal with the materials. Starting from the theory of "no one, no two" of "Banqiao style", the text describes the feelings of learning calligraphy "description" in childhood, the "plagiarism" in the writing field, and the funny new trend in Xiaoshenyang. This discussion from one to another and from the simple to the deep shows its ideological quality of understanding and reasoning.
雖然語言表達尚待錘鍊，但作爲考場作文功底可嘉。
Although the language expression still needs to be tempered, it can be regarded as the foundation of composition in the examination room.
上海市位育中學語文特級教師國慶波
Guo Qingbo, a special Chinese teacher of Weiyu middle school in Shanghai
