Not everything that is faced can be changed, but nothing can be changed until it is faced.以下是小編爲大家搜索整理的2017下半年英語四級寫作難度提升訓練，希望能給大家帶來幫助!更多精彩內容請及時關注我們應屆畢業生考試網!
英語四級寫作範文：摔倒不敢碰
Should we help others in need?
1.現在經常有這樣的現象發生：路上有人摔倒，沒人敢上前幫忙。
2.這是人們的公德心缺失還是其他什麼原因呢?
3.你對此有何看法?
【範文】
Should we help others in need?
Helping others has always been a virtue in traditional Chinese culture. But what’s strange nowadays is that people dare not show their helping hands to those in need. I would like to elaborate my views on this issue.
Firstly, I think people’s moral sense has degraded. When egoism gains the upper hand, many people find it growingly hard to help others. Secondly, there is no denying that some tragic events turn out to be traps by people with evil intentions. So common people are becoming more risk-conscious and are more wary of traps and deceits.
In general, I contend the idea that we should be warm-hearted and offer help as well as look out for potential hazards so as not to be deceived.
part 2英語四級寫作範文：音樂語言
【範文】
The Language of Music
A painter hangs his or her finished pictures on a wall,and everyone can see it. A composer writes a work,but no one can hear it until it is performed. Professional singers and players have greatresponsibilities, for the composer is utterlydependent on them. A student of music needs aslong and as arduous a training to become aperformer as a medical student needs to become adoctor. Most training is concerned with technique,for musicians have to have the muscularproficiency of an athlete or a ballet dancer. Singers practice breathing every day, as theirvocal chords would be inadequate without controlled muscular support. String playerspractice moving the fingers of the left hand up and down, while drawing the bow to and frowith the right arm—two entirely different movements.
Singers and instruments have to be able to get every note perfectly in tune. Pianists arespared this particular anxiety, for the notes are already there, waiting for them, and it is thepiano tuner’s responsibility to tune the instrument for them. But they have their owndifficulties; the hammers that hit the string have to be coaxed not to sound like percussion,and each overlapping tone has to sound clear.
This problem of getting clear texture is one that confronts student conductors: they haveto learn to know every note of the music and how it should sound, and they have to aim atcontrolling these sound with fanatical but selfless authority.
Technique is of no use unless it is combined with musical knowledge and t artists are those who are so thoroughly at home in the language of music that they canenjoy performing works written in any century.
