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As Michael Jackson made the unfortunate transition from pop-music icon to tabloid staple，one of the most common lines of attack was on his ever-changing appearance, the way his skin dramatically lightened in color, and his face altered in structure.
What's most tragic about Jackson's death, aside from the fact that it comes as he was mounting a comeback to include a sold-out 50-show residence at London's 02 Arena，is that what people will remember about him is his changing face. What they should remember：The way he changed the face of pop music.
Jackson first came to prominence as the pint-size nucleus of his family band, the Jackson 5. He quickly became the focal point of the group because of his popular cuteness and, of course, that voice. What was so remarkable about the young Michael was his ability to communicate youthful innocence’ or premature wisdom, or sometimes both at the same time. It was no small feat for the same preteen to credibly deliver shrewd stories of love and loss like “I Want You Back" and "The Love You Save", as well as he carried off cutesy soul ditties like “ ABC" and "Rockin' Robin". He led the group to four No. 1 singles.
But his watershed moments came after he came out of his awkward teenage years. At 20, Jackson starred in the film version of The Wiz, at which point he met Quincy Jones, who agreed to produce his fifth solo album, Off the Wall. The record was a mature, sexy blend of pop soul with a heavy, danceable disco groove. Having spent his earlier years trying to straddle vocal adolescence，he effortlessly became an adult. It certainly helped that Jackson was so adept at using that voice, and that he had a set of amazing songs to work with, among them "Don't Stop Til You Get Enough" and “Rock With You", in which Jackson sings lyrics that perfectly describe his own gifted footwork："When you dance, there's a magic that must be love.“
As stunning an artistic statement as Off the Wall was, it did little to prepare anyone for the cultural phenomenon that was his subsequent album, Thriller. Jackson’s goal was to create an album in which every song was a hit. He didn't quite accomplish that, but he did create a classic pop album that fans zealously snatched up (to the tune of an estimated 100 million copies worldwide to date) and that solidified his status as the King of Pop. Debate still rages about whether Off the Wall or Thriller is stronger as an album. But the sea change Jackson created with Thriller had less to do with the music than with the medium.
At the height of MTV, Jackson became the first black artist to create a fan base using his image rather than in spite d it. His grasp of performance and presentation remains without parallel.
Jackson's subsequent albums failed to reach the heights of Thriller. But Jackson retained his knack for spectacle. Every music video he released was a major event, which is why MTV's lifetime-achievement statue at its annual awards show still bears his name. As a singer, as a songwriter, as a performer, as a dancer, Jackson remains among the most gifted ’ imaginative ’ larger-than-life musician of any race that has ever come along. Whatever changed about him over the years, that certainly didn't.
1. According to Paragraph Two, which of the following is NOT true aboul Jackson's tragic death?
[A] He had been busy preparing for his comeback shows before he died. [B] The tickets to his comeback shows had been sold out before he died. [C] His ever-changing appearance had negative effects on him. [D] People don't remember the way he changed the face of pop music.
2. Which of the following is true about Jackson's songs mentioned in this passage?
[A] "I Want You Back", "The Love You Save", "ABC" and "Rockin' Robin" were the four No. 1 singles of Jackson 5.
[B] Jackson failed to convey the meaning trf love and loss in the songs "I Want You Back" and "The Love You Save".
[C] "Don't Stop Til You Get Enough" and "Rock With You" were from Off the Wall, which was his first solo album.
[D] Jackson's wonderful dancing skills were vividly described in the lyrics of “ Rock With You".
3. "Straddle" in Paragraph Four can be best replaced by
[A] deal with. [B] get over. [C] avoid. [D] end.
4. Which of the following can be inferred from Paragraph Five?
[A] Every song in Thriller was a success.
[B] Thriller was more successful than Off the Wall.
[C] Jackson had already been recognized as the King of Pop before Thriller. [D] Some of Jackson's fans still minded his image as a black person.
5. The tone of the passage can be best described as
[A] commendatory. [B] derogatory. [C] critical. [D] neutral.
2009年6月25日.美國“流行天王”邁克爾傑克遜在洛杉礬突發心臟病離世,終年50歲。儘管關於他的負面報道比比皆是,但這些都無法抹煞他在流行樂壇取得的成就和撼動他的天王地位。他是音樂史上第一位在羑國以外賣出上億張唱片的藝術家。他魔幻般的舞步更是讓無數明裏效仿。
答案解析l.[D]事實細節題。第二段最後一句說人們"應該記住的是他改變流行音樂面孔的方式“，因此選[D]。第二段第一句指出,傑克遜生前正籌劃着復出,包括要在倫敦02體育館駐唱50場,那時門票已全部預售完,因此排除[A]、[B];第一句指出,關於他的死最悲哀的一點在於人們記住的將是他不斷改變的容貌，故排除[C].
2-[D]事實細節題。由第四段進後一句得知,〈與你共舞》的耿詞完美描述了他的天才舞步,因此[D]正確;第三段最後一句提到傑克遜率領“傑克遜五兄弟"演唱組創下四首冠軍單曲,但並未表明是哪四首,故排除[A];由第三段第三、四句得知,傑克遜展現出一種早熟的聰慧，能夠將愛與失去的深刻意義表達出來.故排除[B];由第四段第二句得知是他的第五張個人專輯,故排除[C].
3.[B]語義理解題。根據題幹提示定位在第四段。這一段講的是傑克遜人生的轉折點,而這個轉折點是他“度過了青澀的青春期”後纔來到的`,這是第一句的內容，再結合第四句straddle後面的“變聲期",可以推斷straddle應該有“跨越,度過”的意思,只有[B]最合適。
4.[C]推理判斷題。根據題幹提示定位在第五段。由第三句中solidified—詞可知，《顫慄》鞏固了傑克遜流行天王的地位，由此可見.在< 顫慄》之前他已經是流行天王了,故[C]是答案;由第二、三句得知,傑克遜本想創造一張每首歌受歡迎的專輯,但他沒做到這一點,排除[A];第四句提到至今有關(瘋狂>和(顫慄》這兩張專輯究竟哪張更好的爭論仍在進行,排除[B];倒數第二句提到傑克遜成爲第一個憑藉自身形象吸引了大批耿迷的黑人藝人,可見歌迷並不在意他的黑人形象,排除[D]。
5-[A]觀點態度題。本文作者回顧了傑克遜的成名之路以及他在流行樂壇創造的輝煌成績,關於他的負面報道和評論只是一帶而過,因此判斷作者對於傑克遜是褒揚的,故答案是[A];[B] “貶低的"、[C]"批判的”、[D] “中立的”都不正確。
